By Hilary Alexander, Fashion Director at London Fashion Week Published: 2:39PM GMT twenty-three February 2010
Link to this videoArchitecture, 1970s interiors, complicated cut with a chisel and Mother Nature were fused in the Peter Pilotto collection, this morning, that expressed, by clothes, the attribute in in between the healthy and the synthetic world.
The collection, by Peter Pilotto and Christopher De Vos, featured clashes in in between tanned hide and Harris tweed; Day-Glo orange and putty, tan and beige.
Peter Pilotto autumn/winter 2010/11 pick up More on London Fashion Week The Elle Style Awards Topshops New Generation winners voiced NewGens new choice voiced Victoria Beckham in ultimate Emporio Armani hoop skirt debateLong-line jackets, in a brew of tanned hide and knit, came with a fox-fur pocket; propitious dresses featured a collage-effect of prints, formed on an lengthened Liberty paisley and hexagonals.
Dresses, with one-swathed shoulder, came with an astonishing cut of china leather, at the waist, or midriff, and were ragged with tribal, hair and steel cuffs. Other dresses were an even some-more impassioned patchwork of fox, a swirling, sci-fi, mercury-print and orange sequins.
The key appendage were thigh-high leggings/boots (leggoots? Loots?) done from suede, sliced in to excellent strips from toe to knicker-line.
0 comments:
Post a Comment