By Hilary Alexander, Fashion Director at Paris Fashion Week 415PM GMT 09 March 2010
Link to this videoKarl Lagerfeld, the multitasking photographer, art collector, linguist, writer, and the engineer at the back of the absolute French brand, Chanel, combined an additional pretension to his cv at the Paris prêt-à-porter deteriorate the stylish environmentalist.
The one-man conform "storm", had the Chanel invitations printed with his own blueprint of the involved frigid bear; combined an Arctic landscape from 240 tons of ice in the Grand Palais and, then, filled the pick up with feign fur.
Chanel autumn/winter 2010/11 pick up Chanel surprises with china and shorts Skin trinket or only tatt? Vanessa Paradis lands fifth starring purpose for Chanel More on Paris Fashion Week Paris Fashion Week Chanel"Its so great now, technical advances are so undiluted you can frequency discuss it feign hair from the genuine thing," he pronounced backstage. "Fake is not stylish we have got a new Chanel tweed to stop copies but feign hair is."
"Its not tellurian warming, the global-cooling!"
The audience, vibrating in the Alaskan conditions of the Grand Palais, with Vanessa Paradis and Lindsay Lohan, between the front-row celebrities, would have straightforwardly agreed.
The models strolled by a North Pole forest of icebergs - sculpted by the group who combined the worlds largest road house done of ice and snow, in the Swedish encampment of Jukkasjä - wearing shaggy, fake-fur coats, and fake-fur-trimmed tweeds.
They splashed by icy waters, left by the melting bergs, in fake-fur yeti boots, and "Chanel", two-tone shoes, lonesome with cosmetic galoshes, a little of that came lax and were left floating behind, similar to detritus from a frigid expedition.
The fake-fur flurry enclosed downy mammoth-look trousers, for both men and women; Inuit-style knits; and evening-wear in fake-fox, churned with thickk cream edging and tweed, and accessorised with ice-crystal jewellery.
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